Last Night's Tipple

I finished the bottle of 2005 Gagliardo Dolcetto d'Alba last night, and it was as good or better than it was when I opened it the night before. This wine had a shelf talker recommendation from the Central Market wine buyer, and I will admit that that was what determined me on my purchase. The packaging seemed a bit too cutesy and marketing-driven for comfort; but when confronted with 7 or 10 wines of the same variety, all of similar price and none of them familiar, why not pay attention to a staff recommendation for one?

Dolcetto is frequently referred to as the Italian version of Beaujolais in introductory wine books, and it's a comparison that causes umbrage for both proud Dolcetto producers and proud Beaujolais producers. The wine writers typically mean that both Dolcetto and Beaujolais are (relatively) cheap, soft, easy drinking wines best consumed young. In other words, they mean the comparison to be mildly pejorative or at least patronizing. Well, anyone who has ever tried Domaine Diochon Moulin-a-Vent or most of the other Beaujolais wine that Kermit Lynch imports knows that there is Beaujolais out there that is not just soft and easy-drinking and is age-worthy and "serious." I suspect that the same can be said for a lot of dolcetto. This Gagliardo Dolcetto d'Alba, I think, is not just some pleasant quaffer. It has plenty of acidity and tannin, mixed with plenty of fruit. I have no idea of whether it's age-worthy, but I do know that I have had plenty of purportedly "serious" wines that don't bring as much flavor, complexity, and interest to the table as this wine does. It really tastes nothing at all like Beaujolais, even excellent Beaujolais, but I think that the comparison of dolcetto and Beaujolais is justified for reasons not intended by the critics: both wines are under-appreciated and under-priced relative to their potential quality.

Last Night's Tipple

The three most important red grapes in the Piemonte region of northwestern Italy are nebbiolo, barbera, and dolcetto. Nebbiolo is by far the most renowned of the three, as it is used to make Barolo and Barbaresco, the king and queen of Italian wines. Barbera is the overshadowed child, with a good reputation in its own right but not one that can really compare to nebbiolo. Dolcetto is the red-headed stepchild of the three. It doesn't get much respect, either by wine critics (who often think of it as a simple, easy-drinking, and unserious wine) or by many growers, who relegate it to the second-rate vineyard locations and use its wine as a way to generate cash flow while their nebbiolo-based wines are maturing.

Well, I don't really have an objection to a wine that is simple and easy-drinking so long as it's good, and I don't understand criticizing wine for being "unserious." What is that supposed to mean, anyway? Wine is, or ought to be, primarily a beverage to be enjoyed, not an intellectual exercise. I any event, I have read from people whose opinions I respect that dolcetto frequently makes enjoyable, delicious wine. So what do I care what the critics say? The bottle that I picked up (for around $15) is a 2005 Gagliardo Dolcetto d'Alba. The producer, Gianni Gagliardo, has two separate lines. True to the stereotype, the upper of these two lines (Gianni Gagliardo) is almost exclusively nebbiolo-based, with one barbera and one favorita (a Piemontese white grape). Wines in this line probably cause some controversy amongst the critics because they all appear to be aged in small French oak barriques, which is a big departure from traditional winemaking techniques in the Piemonte (large Slovenian oak barrels, mostly used and approaching neutrality, were traditionally used). The lower line is called simply Gagliardo, and the producer calls the bottlings in this line "young family wines." In addition to the Dolcetto d'Alba, there's a Barbera d'Alba, a Roero Arneis (another white grape), and a favorita. None of them see any oak -- brief "aging" in stainless steel is it. That's fine with me. I'm not big on oak in wine, anyway, and I'm looking for a wine to drink now, not age for a few years.

This wine has a very interesting nose (and in this case, "interesting" is good). The dominant note is this odd copper aroma -- take a stack of pre-1983 pennies and give them a whiff, and you'll know what I mean -- and it's mixed in with rose petals and a gamey note. I like it. It's juicy on the palate, with a good deal of dark fruit. There also is a not insignificant amount of tannin, and a good bit of acidity. My only real complaint is that it started out a bit short, but that changed a bit as it spent some time open and in the glass. Very enjoyable.